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  • The Transformation Book, which belongs to Pessoa's pre-heteronymic period, contains a series of fragments written in English, Portuguese, and French, none of which were ever published during Pessoa's lifetime.Conceived by Pessoa in 1908, a year of great social and cultural transformation in Portugal, The Transformation Book was designed to reflect and advance social and cultural transformation in Portugal and beyond. Moving between a number of literary forms, including poetry, fiction, and satire as well as essays on politics, philosophy, and psychiatry, The Transformation Book marks one of the fundamental stages in Pessoa's elaboration of a new conception of literary space, one that he came to express as a "drama in people." Alexander Search, Pantaleão, Jean Seul de Méluret, and Charles James Search are the four "pre-heteronyms" to which the texts of The Transformation Book are attributed. These four figures constitute a plural literary microcosm - a world that Pessoa makes, but that is occupied by a multiplicity of authors - and clearly anticipate the emergence of Pessoa's heteronyms. As the singular result of an intersection of Pessoa's personal intellectual trajectory with his hopes for fomenting cultural transformation, The Transformation Book makes for a unique contribution to Pessoa's ever-growing published oeuvre.Although some of the texts conceived as part of the Transformation Book have previously been published in isolation o...
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  • Este trabalho apresenta como objetivo principal: analisar documentos pessoais de Fernando Pessoa, cuja característica marcante é a presença do ocultismo e da suposta mediunidade defendida como resposta a manifestações não-literárias e heteronímicas. Para tanto, concentrei-me em objetivos específicos, quais sejam: a) estudar o discurso de Fernando Pessoa sobre sua mediunidade/ocultismo; b) analisar específicos textos que são, para o poeta, manifestações mediúnicas; c) estudar excertos de um conjunto de cartas pessoais em que Fernando Pessoa sugeria ser médium. É certo que essa dissertação tocará em muitas discussões já postas por estudiosos e especialistas de Fernando Pessoa, mas consideramos a possibilidade de aprofundar questões e contribuir para a fortuna crítica do poeta. Recorreremos, em nossa análise, a uma teoria alinhada aos próprios objetos da pesquisa, cujos principais autores são Sigmund Freud (1908) Carl Jung (1991,1996).
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  • Новинка: Нет; Акция: true; Площадь освещения, м2: 10; Интерьер: Для кухни; Стиль: Современный; Цвет: Белый; Тип лампочки (основной): Накаливания; Тип цоколя: E27; Виды материалов: Стеклянные; Форма плафона: Овал; Цвет плафонов: Белый; Материал плафонов: Стекло; Цвет арматуры: Хром; Материал арматуры: Металл; Страна: Австрия; Бренд: Globo; Степень защиты, IP: 20; Общая мощность, W: 180; Мощность лампы, W: 60; Артикул: 54709-3; Высота, мм: 430; Диаметр, мм: 600; Остаток поставщика: 4; Количество ламп: 3; Коллекция: Pessoa II; Напряжение, V: 230;
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  • Новинка: Нет; Акция: false; Площадь освещения, м2: 3-3; Интерьер: Для кухни; Стиль: Современный; Цвет: Белый; Тип лампочки (основной): Накаливания; Тип цоколя: E27; Виды материалов: Стеклянные; Форма плафона: Овал; Цвет плафонов: Белый; Материал плафонов: Стекло; Цвет арматуры: Хром; Материал арматуры: Металл; Страна: Австрия; Бренд: Globo; Степень защиты, IP: 20; Общая мощность, W: 60; Мощность лампы, W: 60; Артикул: 54709W; Высота, мм: 260; Ширина, мм: 120; Остаток поставщика: 1; Количество ламп: 1; Коллекция: Pessoa II; Напряжение, V: 230;
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  • In 1925, Fernando Pessoa wrote a guidebook to Lisbon for English-speaking visitors, and wrote it in English. The typescript was only discovered amongst his papers long after his death, but has not hitherto been made available in the UK or the USA.The book is fascinating in that it shows us Pessoa's view of his native city - and Pessoa, as an adult, rarely left Lisbon, and it figures large in his poetry. The book can still be useful to visitors today, given that the majority of the sights described are still to be found.A fascinating scrap from the master's table....
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  • Fernando Pessoa's artistic birth develops over two periods. The first moment: March 1914, the apparition, as decisive as opaque, of the four heteronymous poets, Alberto Caeiro, Ricardo Reis, Álvaro de Campos, and Fernando Pessoa himself. The second moment: the dramatic intellectual crisis of 1915-1916, during which the idea of the avant-garde and the meditation on the complexity and separation of metaphysics and art willingly battle and entangle themselves.This is a crisis of philosophy Pessoa experiences with anxiety, and which is the origin of the multiple births of the poet. From then on, the task of separating poetry from metaphysics begins.----about the authorJudith Balso has taught seminars on Fernando Pessoa, Wallace Stevens, Pier Paolo Pasolini, Osip Mandelstam, and Dante at the Collège International de Philosophie in Paris, France. She currently teaches poetry and philosophy at the European Graduate School in Saas-Fee, Switzerland. Her latest book, Affirmation de la poésie is published by NOUS editions, France.
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  • Álvaro de Campos, along with Ricardo Reis and Alberto Caeiro is one of Pessoa's most important poetic heteronyms and, like these fellow fictitious poets, made his first appearance in 1914. He was also something of a public figure, his essays and reviews frequently appearing in Portuguese periodicals. According to Pessoa, Campos was born in the Algarve in 1890, studied naval engineering in Glasgow, was widely travelled, and lived for a number of years in England, working as an engineer. In later life he returned to live in Lisbon. His poetry, especially the earlier work, celebrates the modern world and the machine age, and marks the eruption of futurism into Portuguese poetry. This volume offers the latter part of Campos' output. The Collected Earlier Poems will appear in due course.
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  • O medo de altura ou acrofobia é um transtorno de ansiedade e em poucos casos a pessoa procura algum tipo de tratamento, sendo talvez mais prevalente do que se acredita hoje. O estudo desta dissertação procurou investigar a hipótese de que o medo de altura teria dentre seus sinais o desequilíbrio postural que levaria a uma situação de perigo real de queda em algumas situações sensoriais específicas, como quando a pessoa está numa superfície instável. A interação entre postura e cognição foi estudada. O medo seria um sinal protetor que afastaria a pessoa de uma situação de desequilíbrio real. O tratamento destas alterações, em tese, poderia ser beneficiado através de exercícios de equilíbrio especialmente, a reabilitação vestibular.
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  • "Something in me was born before the starsAnd saw the sun begin from far away."Reading Pessoa is like finding a part of your mind that had not awoken. His poems and prose dig deep into the parts of the soul that are known and unknown. Pure reading pleasure awaits those who undertake the journey. From the fear of a bride on her wedding day, to thoughts on reading, to moments in dreams and moments in passing.
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  • Este trabalho centra-se na colaboração entre dois grandes nomes da Psicologia Humanista: Carl Rogers, fundador da Abordagem Centrada na Pessoa e Eugene Gendlin, criador da Abordagem Experiencial (ou Filosofia do Implícito). A análise dessa mútua e fecunda influência está ancorada no conceito de Experienciação e sua importância. Por um lado, tal avanço teórico imprime novas características à Terapia Centrada no Cliente; por outro, confere a abertura propícia para o surgimento de uma nova escola existencial-humanista e seu mais importante método, a Focalização.
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